ZEISS Supreme Prime Lenses

  • ZEISS engineered the Supreme Prime’s with consistency in mind. Each lens is color matched and features a lightweight ergonomic design produced with modern film sets in mind. With a T-Stop of 1.5 the Supreme Primes are remarkably fast as well. All lenses in the family are designed to cover the full format camera sensors of today

  • The JRMH kit consists of the 21, 25, 29, 35, 50, 65, 85, 100, and 135mm lenses all in PL Mount

ARRI Signature Primes

  • Signature Primes are ARRI’s large format lenses designed specifically for use with their Large Format camera system line.  The Signatures feature ARRI’s LPL mount, a robust lightweight housing, pleasing bokeh, smooth focus, and a warm cinematic tone.

  • The JRMH kit consists of a 18, 29, 35, 47, 75, and 125mm all in LPL mount as well as

    1x Sony E to Arri LPL adapter

    1x Canon RF to Arri LPL adapter

Leitz Sumilux C Lenses

  • At T 1.4 and averaging only 1.7 kg per lens, the SUMMILUX-C lenses are the smallest set of fast aperture, purpose-built prime lenses available for cinematography. Their patent focus design allows for a long focus throw even on these compact lenses.

  • The kit consists of a 16, 18, 21, 25, 29, 35, 40, 50, 65, 70, 100, and 135mm Summilux-C primes with Pl mounts.

Leitz Thalia Lenses

  • The Thalia primes offer a cinematic look with soft round bokeh and a distinct character and their optical design renders a layered focus roll off which creates a unique added dimension by pulling the subject out of the background. They’re smooth and clear without being overly sharp like many modern cinema lenses. Their large image circle covers formats up to Alexa 65 and anything in between.

  • The JRMH Kit consists of the 24, 30, 35, 45, 55, 70, 90, 100, 120, and 180mm lenses all with PL mounts.

Canon CN20 50-100mm PL

  • The CINE-SERVO 50-1000mm T5.0-8.9 with EF mount from Canon is designed to combine the functionality and form factor of a broadcast, ENG-style-servo zoom lens with the optical precision of a cinema zoom. The lens is designed for use on cinema cameras with Super 35 sized sensors and is suitable for 4K acquisition. With a detachable drive mechanism and support for rod attachment, it is designed to be equally at home whether being used by a solo camera operator or a full production team. The lens features a 20x optical zoom and a focal length range of 50 to 1000mm with a maximum T stop of 5.0 at the wide end. The lens features a built-in 1.5x extender providing a 75 to 1500mm zoom range, capable of supporting 4K resolution.

  • The JRMH Kit come with

    1x Canon CN20 50-100mm PL Lense

    1x Canon SS-41-IASD Full-Servo Kit with both focus and zoom control

CANON V35 LEGACY Lenses

  • The legacy Canon V35 set, co-developed by NWCC and Duclos Lenses, uses Canon CN-E lenses as the base. They have taken these lenses, and using the legendary K35’s as inspiration, created a look that gets as close as possible to these vintage optics, while retaining some of their own aesthetic. One could think of them as K35 Mark ii. Just enough of the old traits with something a little new and fresh for digital formats. This means more interesting flares, less contrast, less saturation while retaining those incredible Canon skin tones. Also, they retain the original housing and add custom engravings to set them apart from the crowd.

  • The JRMH Kit consists of the 14mm T3.1, 20mm T1.5, 24mm T1.5, 35mm T1.5, 50mm T1.3, 85mm T1.3, and 135mm T2.2 lenses all in PL Mount

DZOFilm Arles FF/VV Primes PL

  • Equip your camera with the Arles Cine Lenses from DZOFilm to capture consistently sharp, natural-looking imagery. these lenses have an aperture range of T1.4 to T22, offering excellent low-light capture and arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.

  • The JRMH Kit consists of the 14, 21, 25, 35, 40, 50, 75, 100, 135, and 180mm lenses all in PL mount

DZOFilm PAVO T2.1 2x Anamorphic Primes PL

  • Capture stunning cinematic images with a vintage anamorphic look using the PAVO Anamorphic Prime Lenses from DZOFilm. Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as “true” anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional “waterfall” bokeh and elegant blue horizontal flares.

    The lens can focus at a very close range, circumventing limitations often experienced with certain anamorphic lenses, and its low-distortion barrel design retains all the desirable attributes of anamorphic shooting without sacrificing image quality. The PAVO’s PL mount can quickly be switched to an EF mount using the included EF bayonet. Focus marks are defined in feet, and the compact size and lightweight design of the lens make it an ideal option for cameras mounted on drones, mechanical and electronic stabilizers, and in handheld situations where keeping weight to a minimum is critical.


  • The JRMH kit consists of the 28 32 40 55 70 100mm

Atlas Mercury 1.5x Anamorphics

  • Mercury Prime for a Vintage Anamorphic Look

    Designed by cinematographers for professional videographers, the Atlas Mercury Anamorphic lenses are a amazing choice if you want anamorphic with some character wile still being really manageable. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, and 72mm primes plus 54 and 95mm and one telephoto focal length still in the pipeline.

    1.5x Vintage Anamorphic Look

    • This lens creates 1.5x the horizontal field with the same vertical field of view as a similar spherical lens.

    • It offers a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.

    Anamorphic Features in a Compact Form

    Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.

    ARRI PL Mount

    The lens is compatible with pro-cine ARRI PL-mount cameras.

    Full-Frame Coverage

    Each Mercury series lens provides coverage for up to full-frame camera sensors.

    Fast T2.2 Aperture

    A fast T2.2 aperture enables the Mercury anamorphics to excel at low-light capture.

    Cine-Style Design

    •  The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet.

    • The standardized 95mm front diameter is compatible with many filters and matte boxes.

  • The set consisting of the 36 42 54 72 95 138 will be coming soon.

Atlas Orion Silver Edition 2x Anamorphics

  • Pay homage to elements of the silver screen era using the Orion Anamorphic Prime Silver Edition 6-Lens Setfrom Atlas Lens Co. This set consists of 32, 40, 50, 65, 80, and 100mm primes, each built with special reserve Orion optics. These Silver Edition lenses create a distinct anamorphic aesthetic while retaining the dependable design of the standard Orion series. Available in a limited edition of 100 sets, these 2x anamorphic primes feature a fast T2 maximum aperture, dynamic flares that take on the color of your light source, and distinct focus fall-off. Each lens has a 114mm front diameter and the 40, 50, 65, 80, and 100mm primes have a 105mm front filter thread. This set of PL-mount lenses has focus marks in feet and comes in two silver ATA-style lens cases.

    Special Limited Edition

    Crafted with special reserve optics, the Orion Silver Edition series (SE) primes produce a distinct anamorphic aesthetic while retaining the dependable design of the standard Orion series.

    Neutral Flare Characteristics

    The Orion SE series' dynamically reactive neutral flare characteristic takes on the color of your light source, providing greater flexibility in expressing your desired look.

    Optimized Tuning

    The spaces between the Orion SE series lens elements are optimized to create focus fall-off with characteristics different from the standard series.

    Standard Orion Series Features

    Features shared with the standard Orion series include:

    • A fast T2 maximum aperture for working in low light and creating shallow depth of field.

    • Crisp, flat-field performance when stopped down to T2.8 or less.

    • Unified focus and iris positions and gearing for faster lens swaps.

    • Standardized 114mm front diameter.

    • 105mm front filter thread on the 40, 50, 65, 80, and 100mm.

    Compatibility

    The Orion SE series lenses sport PL mounts and are available with focus marks in either feet or meters.

  • The JRMH kit consists of 32, 40, 50, 65, 80, and 100mm primes

Canon RF L Series Zooms

  • Canon has been widely known for the quality and reliability of their L series zooms.

  • At JR Media House we have all the rf lenses one could want 15-35 f2.8 24-70 f2.8 24-105 f2.8 28-70 f2 70-200 f2.8 50mm f1.2 85mm 1.2

Sigma High Speed Cine Zooms

  • The Sigma High-Speed Zoom Lens with a PL mount and with focus scales marked in feet provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High-Speed Zoom lineup, which makes for rapid lens changes.

    The 9-bladed iris provides round out-of-focus highlights for a natural-looking bokeh. The lens barrel features 180° of rotation from close focus to infinity, the zoom barrel rotates 160°, and the clickless iris ring features 60° of rotation. All three lens control rings are geared with cine-standard 0.8 Mod gears, and the focus scale is marked in feet. The front of the lens is 95mm in diameter with a removable 1/4"-20 support foot that helps support the lens with the aid of a 1/4"-20 rod-mounted lens support (not included).

    Color Balance

    All the lenses in the lineup are designed to comply with SIGMA's CCI standard simplifying when intercutting between lenses.

    Dustproof and Splashproof Design

    Sharing the same dustproof and splashproof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports, each ring and mount is sealed to prevent water and dust from entering.

    All-Metal Body Construction

    The lens body is made completely of metal to stand up to the rigors of the production day.

    Lens Markings

    The main lens markings are in luminous paint for easy visibility in low light situations. The intermediate markings are laser-engraved for durability. The focus and zoom markings are readable from either side of the lens.

    Lens Front

    The lens features a 95mm front diameter for compatibility with a wide variety of matte boxes and incorporates an 82mm front filter thread.

    Lens Gears

    All three lens gears are standard 0.8 Mod and feature a damper that eliminates metallic sounds when you reach the end of the lens travel.


  • The JRMH kit consists of the 18-35 T2 and 50-100 T2

Tokina Vista Primes

  • Get a truly wide range of focal lengths for your full-frame cine-style capture with the T1.5 Cinema Vista 6-Lens Kit A from TOKINA. This kit comprises 18, 25, 35, 50, 85, and 105mm primes, with each lens featuring an ultrafast T1.5 maximum aperture and consistent form factor, front barrel diameter, and lens gear positions.

    The Tokina Vista Prime Lenses with a PL mount and focus scales marked in feet provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This is an 18mm focal length lens, and it shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T-stop of 1.5, useful when shooting in low-light situations or when you want to capture that exceedingly shallow depth-of-field look.

    The 9-bladed iris provides round out-of-focus highlights for a natural-looking bokeh. The lens is designed to minimize focus breathing, and it features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera.

    Full-Frame Coverage

    The 18mm T1.5 PL-mount prime lens is capable of focusing images on a sensor with full 8K resolution and features a 46.7mm image circle, which covers standard-sized full-frame sensors.

    Smooth, Round Bokeh

    The use of a 9-blade iris produces a smooth round appearance to out-of-focus specular highlights. The iris also produces a pleasing bokeh, referring to natural-looking out-of-focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.

    Focus Marks on Both Sides

    The lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.

    Consistency Across Series

    The lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300º of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.

    Minimal Breathing

    Designed to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.

    114mm Front Diameter

    The 114mm front diameter is consistent across the Cinema Prime series, offering compatibility with most pro matte boxes and making it easy to switch lenses.

  • The JRMH kit comprises 18, 25, 35, 50, 85, and 105mm primes